
Space is Kindness
by Christopher Howard
But to call the incident a gang shooting overcomplicated the arbitrariness of the killing. It implied the boys involved were sophisticated enough to have meaningful social and business alliances. The boys fired small caliber semiautomatic pistols wildly at each other at close range until by some fluke one had been hit. Witnesses said the 17-year-old made it one block on adrenaline, leaking everything he had ever seen or done. For some reason he stumbled east from the park, toward the river, even though he did not live in that direction. He died less than a block from the polymer shore of the always swiftly flowing Mississippi River.
McInnes had interviewed one of the shooters post-arrest and post-bail. This boy had shown him a flesh wound on his ankle, a bullet graze that charred the darkie skin even darker. In comparison the internal tissue looked florescent.
No fucking reception! I need a new cell phone, Kasaka is announcing, frowning at the glowing display on her phone, reflecting, weighing her true need. I need a chrome cell phone! Web access! Customized ring tones! She taps the digital camera in her lap. And I need a model who will let me take nude shots. And the pot's alright.
McInnes looks at her. He looks at her profile, her jawline, her blouse tucked tight into her skirt, her legs, shoes off, bare feet together and tucked to the side.
She being lighter than him and both of them not wearing seatbelts, she would be the first to go through the windshield, he thinks. Depending on the angle of the impact, like if they flew off the shoulder of the road instead of head-onning another car, she might hit the passenger window first - leaving a spiderweb crack and a tuft of hair with dyed highlights - before opening the windshield.
Beyond Kasaka, McInnes thinks, somewhere beyond the passenger window and the dark, forested bluffs, through the drizzle, east, lies the big river. The Mississippi, snakelike and sloppy and eternal and utterly indifferent to all this dust.
He says, The night before Deidre left, I asked her what she would do if I cancelled the wedding.
Do you consider yourself a happy person?
Ecstatic.
So what's with the pills?
I take pills because when my father dies, there will be no one left, McInnes thinks. He says nothing. I take pills because I remember the way Deirdre looked at me, with pity and horror, when she left. Because when I see lions feeding on the savannah on Discovery Channel documentaries, their whiskers matted with gore, my mouth fills with the taste of nickels.
You have to look at the bright side, he tells her. You have to consider the cup half full.
What do you mean?
You're seven-eighths not darkie.
Loser, she says. Listen, you like being a reporter, don't you?
Why lie? Not particularly, he says.
Why not? she asks. You have the knack.
The montage of car accidents flips through his head again like a deck of cards shuffling. Without meaning to, he selects one.
The seventeen car pileup on I-70 east of Kansas City, when he worked for the Examiner. That was one.
They shut down all six lanes of the interstate for that. Maybe he would tell her about that one. Traffic backed up for miles, to the horizon in both directions. Even all the secondary roads were clogged, from drivers trying to be clever and avoid it. In the crash zone, after the Life Flight helos had leapt away, there was a dead calm. He circulated through the debris unmolested by the state troopers and paramedics, awestruck like a tourist visiting some great battlefield, the last survivor at Armageddon.
He remembers the McDonald's fountain soda, the plastic top somehow still secured, only drips escaping out the straw onto the accordioned Subaru with the fleshy mass twisted like by some great power drill that turned out to be the little girl and her babysitter. Somehow, he thought, the insides of us should look more important than that. Then the one state trooper walked over to see what he was gawking at and got sick. Then another appeared to sprinkle a white powder on the fluids.
After the article had been published, a woman called to complain that he had identified the deceased as a member of her family. At first he thought she meant he had reported the name of the babysitter incorrectly. No, it was some family drama. The woman was calling because she felt slighted that the dead driver's full name had been printed without the woman's consent, identifying her as a member of a family which did not claim her. McInnes stared at the receiver for a while. Hullo? Hullo? Hey, you there? the voice snapped. He hung up on her. She called the publisher and complained. A disciplinary statement was added to his personnel file.
Forget that, he tells himself. Should I tell Kasaka about Jake Lereau? That story got picked up by the Associated Press.
A cheerleader-turned-mom runs into a Mr. Goodcents for a drink, leaving her keys in the ignition, her toddler in the safety seat in the back. She returns just in time to see the darkie carjacker about to put the car in gear. She dives for the door, opens it, and has Jake in the safety seat halfway out when the nigger punches the accelerator. The boy was dragged behind the car for two miles. Literally two miles. The asphalt erased his face, the skin, musculature, everything.
Pretty blond Mrs. Lereau in the premature twilight of her beauty and with her husband appeared on all the talk shows afterwards.
Should I tell Kasaka about the last body I saw pulled from the Mississippi? This girl, he remembers, the water had washed away all her clothes. With the leaves in her hair, she looked like some fairy princess. Full, teardrop tits and an untrimmed bush. At first, she looked like she could have been sleeping, then you saw the frogbelly paleness then how the mouth and nails were filled with black river detritus. Then the Water Patrol divers rolled her over and there were the fat leeches.
McInnes says nothing. He knows better.
Kasaka would point out nobody put a gun to his head and forced him to be a reporter.
Of course nobody had, but he had been bored crying shitless at every other job.
The truth, the shameful truth was all those sights made him feel alive. Small but alive. Probably the governor's wreckage would do the same.
Deal with it, Kasaka would have said. That was one of her things.
Shut up.
I'm just trying to like conversate with you, she says, voice reaching the warble. You've been so dark lately.
He thinks of the jumper. The fairy princess. Seeing her offloaded from the johnboat in the black bodybag unzipped like a porno. The family identified her then the bag was slid efficiently into the coroner's white station wagon. McInnes watched the station wagon drive away and suddenly felt like he had been on the bridge with her. Took that last pull of McCormick's not Osco vodka with her, burning all the way down then becoming a warmth spreading. He heard the music in her head, the manic harpsichord of an old-time carousel. Saw her picturing her friends saying, We didn't think she'd actually jump! Felt the air rushing against her face like fingers through her hair. Saw the river blowing up until it encompassed everything then the impact then all the nerves dead and the limp flesh lolling. But she was beyond it all by then.
One of her people loitering at the shore said it must have been an accident. But how could she not have known?
God what a trailer park beauty she was, McInnes thinks. She must have made all the boys in her clique so wanting. Left them tripping over themselves for want of her affections. In her world she must have been a star. So what had made her do that? No history of mental illness. Toxicology showed no drugs. Had she seen the sum of all her possible futures - indebted to payday loan franchises, slapped around and pregnant by Cletus - and rejected it?
God maybe it was the river. The Mississippi with its high cliffs and petroleum waters practically invited you to suicide. It was somewhat miraculous her body had been discovered so close, he thinks. It was not uncommon for the jumpers here to disappear and wash ashore weeks later five hundred miles south outside New Orleans.
McInnes drives in silence for a while and decides he both sort of envies and pities Fairy Princess.
You better not be smoking the whole thing, he tells Kasaka without looking at her.
Madonna's kids are going to grow up to be monsters, Kasaka announces, subdued. Monsters. Like spores off the alien mother.
Lightning licks across the sky. They watch the charge fade, cooling like a lightbulb filament.
Minutes before Governor Carnahan died and taking the Phil Collins lyric too seriously, McInnes had killed a black centipede on his kitchen floor. He had watched it walk for a while on the linoleum before he killed it. Not to stalk it. Just to watch a thing in its special last moments of life.
He had chopped his hand down in front of it twice. The centipede oscillated its antennae but barely changed its path. Either it was blind to or unfazed by its imminent death. McInnes watched its many legs advance like some hypnotist's mechanism over the linoleum.
Because he did not want to touch it, he crushed the centipede inside an 8.5 by 11 sheet of printer paper folded into quadrants. It bled black like ink, not blood like a mosquito. He killed it because one should kill bugs in your house. Maybe that had been Mengele's philosophy.
Before killing the centipede, he had played Goldeneye on the Nintendo-64 for two hours straight, ever since he had walked in the door from work. He played it sitting in the middle of the carpet, oxford shirt untucked, surrounded by the few things he owned and which did not make him happy. While he played, his greyhound dog circled and trembled. He watched the countless winter-camouflaged commandos advancing into the bursts from his AK-47, the bullets impacting with wet, synthesized slaps, sending the men down. Their bodies disappeared after a moment of death throes.
It gave him a Nintendo blister on his finger.
After the centipede, he had switched on the television then and had seen it. The governor's plane down. He called the managing editor at home to confirm he should grab a photographer and go.
Driving north on Interstate 55, he rests his hand on the top of the steering wheel and picks at the blister, pretending it had never happened.
