Kellogg's Bad Things

by Tomi Shaw

 

I.

Every Monday, Wednesday and Friday, Kellogg had to deliver lunch. When her order came in, Kellogg tried to beg off. No doing. Laura Mae and her gossipy mouth made it impossible to trade. He'd heave the container of chicken and dumplings, soup beans and greens or country fried steak, wishing he had five spare minutes to add some special sauce before heading across the street and into her shop. Today was meatloaf and Friday. People whispered wherever he went, excluding Fava, the only person in town willing to forget things. When he pushed through LM Antique's door, it slammed against the wall. Laura Mae grabbed her chest like the sound had ripped through and left a gaping hole. She took her purse from underneath the counter and with her squinty pig eyes on him, she pressed her mouth up against the new girl's ear. Whatever Laura Mae said made JoJo turn her twigged out and fried purple hair in his direction, her gaze falling and sticking to his crotch. Kellogg felt his sausage shift and start to plump up. Stupid dog, he thought. Stupid bitches, too. He dropped the Styrofoam on the counter, raked the money into his hand and turned his sneakers to leave. He squeaked as he walked away.

II.

Whenever the interior of his Chevette got dusty, Kellogg wiped it down while he drove home. He used diaper wipes and folded them in half after every pass. The ashtray was jammed full of thick little squares. White noise filled his ears given the radio didn't work, but he liked that sound better than silence. Passing the Gas Stop at the corner of Maple and Main, he tossed his index finger up like every one else in town when he spotted Daugherty. Daugherty found interest all of a sudden in his greasy fingernails. Kellogg thought about using a different finger. He so wanted out of this town; he had a bag packed, sitting at the top of his stairs next to the linen closet. The overcast skies and leafless trees bordering his drive home went unnoticed. Kellogg saw blue skies and mountains in his daydreams. The road home he knew inside out. At home, he wiped the steering wheel clean with another baby wipe and emptied the ashtray into his hand. His shoulders slumped the closer he got to the house. The screen door sagged where it had come loose at the top when a blizzard blew through last winter and dumped too much wet snow on the aging wood; it slammed against the house when the wind blew right, sounding exactly like a shotgun blast every time it did, making him jump startle tense up. An echo of the sound he'd heard from his bed the night his grandmother stumbled and crawled her way into her vegetable garden, weeded the cabbages and blew her fucking head off. On the landing, he eyed the suitcase, he kicked it. His room had always been at the end of the hall, until she died. Now, he stepped to the right, went into the master bedroom and lay fully clothed on the fraying quilt, staring at the ceiling, thinking of JoJo and her purple hair, thinking about what it would be like to know her. Working with Laura Mae, Kellogg knew she'd tell his story, his grandmother's lies. Would JoJo believe her? Of course she would. And how can a person disprove something so… so personal as the wild imaginings of his grandmother's twisted musings? His heart shrank every time the door slammed.

III.

Some things a person is forced into; that's what Kellogg thinks. By the time he snuck back across the yard, through his grandmother's overgrown garden and passed the hayfield, the moon was halfway through its night ride. His breath burst from his mouth in white plumes, as if he were a dragon made of ice, exhaling brimstone. He couldn't leave. This was all he knew, all he'd ever know. He didn't know how to live anywhere else. The corncrib sat at the back of the field, beyond the fence to keep the cows, the chickens burrowing inside to keep warm. When he opened the door, he was surprised at the lack of odors. It was too cold. Things need heat to smell right. The chickens, dumb as they were, seemed to know enough to be scared. The sound of his belt buckle coming loose started them squawking. He yanked his legs out of his pants--his breath blossomed around his head, a dragon's mane--and wrapped his talons around the neck of the nearest chicken. The rest took to beating their wings, flapping wilding in the confines of the corncrib, screaming. Kellogg pushed in and got his fit. He imagined JoJo's purple hair was in his hands the whole time. Finally, he arched his neck, the fires of hell rolling out of his mouth on the flight of his roar. When he was done, the chicken was dead, strangled. Back in his kitchen, he boiled water to singe the feathers to make it easier to pluck.

IV.

Kellogg thought about calling in to work when the alarm went off Monday morning, but then he'd have to make up an excuse and Fava'd know he was lying. So he pushed himself out of bed, dragged his clothes on and with some water splashed through his hair, a quick brush of paste across his teeth, he went to work. At ten thirty he had to answer the phone because Fava was changing light bulbs in the bathrooms. It was Laura Mae; she of course, like every one else did when he had to answer the phone, asked for Fava. Kellogg explained that she was busy and if he could take her order; she huffed but told him what she wanted. Two hours later, he carried the warm container into her shop. JoJo was dusting candlesticks, but when he walked by, she stopped him, smiling at him--Laura Mae asked me to ask you about your grandmother. Said it was a story I had to hear but wanted you to tell me--Kellogg dropped the food, chicken gravy splashing onto the top of his sneakers. He thought about wrapping his hands around her throat and forcing the words back into her mouth and down into her stomach until she couldn't speak ever again. She said his name, her tone quizzical, and it sounded wrong, out loud and in the air. He could hear Laura Mae snickering. The buds in his mouth could taste his hate, seasoned with shame. He turned on his heel, slamming the door so hard as he left that paint chips scattered.

V.

The wind was blowing just right when Kellogg pulled his Chevette into the gravel beside his grandmother's house. Her house, the only thing she'd ever given him and that only because if she hadn't it would have looked bad on her. He could still hear the scorn in her voice--All this, free and clear, for you. How's that for reward of a life well spent?--thinking about the day she made her will. That afternoon she'd planted the cabbages. He stared at her garden as he wiped off the steering wheel, the front door blasting out its shotgun song. He felt his heart shrink. He stormed inside, ripped up the stairs and found the gun where he'd stored it in the now never used linen closet. The note his grandmother had left for the police was in the closet, too. He felt his heart shrink. In it she'd told all his secrets, all his bad things. He flew back downstairs, the gun tight in his grip, tried to get the wind to circulate inside him. After his bad things, she embellished, got fancy and in that note were all the things she thought him capable of, all the things she could create in her mind ended up in her scratchy scrawl to get what she needed: attention. That note was the lock and key on the possibility of anyone ever loving him; that note was the ball and chain to the whispers, the snickers and immobilizing isolation; that note was the hero's sword thrust deep inside his brimstone breathing. He felt his heart shrink. She hadn't mentioned what she'd done, her secrets hers to carry to her grave, six feet of dirt burying them, a blanket of green sod--good grass to hide beneath. Kellogg kicked at the weeds in her garden. The wind was right today, persistent: he felt his heart shrink twice as he crossed the hayfield. Inside the corncrib, he pumped the gun and blasted the closest chicken. Chaos exploded: feathers squawking flying into walls beating wings, scattered and noisy, clucking whipping the air dust and shit. It took six shells to kill four chickens. He felt his heart shrink. Feathers and shit, dust and blood slid or floated to the ground, as did Kellogg. The cold couldn't hide the stink. He stuck the gun in his mouth, the barrel hot against his lips, ripe with gunpowder. He fingered the trigger, but his head rocked back and forth, shaking, saying no. Kellogg begged himself, he cried. Like a big fat baby, he cried. Like the first time his grandmother had found him here, with his dick in one hand a girly magazine in the other, he cried, he begged. She'd just kicked him, called him disgusting names, made him kill the chicken, pluck it, eat it for dinner. He'd wrung its neck, but it wasn't the chicken's he saw as he did the deed. His teeth rattled against the steel. That night, she made coleslaw with radishes and celery, knowing he hated it, forcing him to eat everything. He shook. He couldn't do it. He couldn't do anything… until… the wind blew just right… and he felt his heart shrink.

 

© 2006 Tomi Shaw

 
Tomi Shaw lives in the clutter of her writing, family and mutt dog. Her work has appeared in Identity Theory, storySouth, Pindeldyboz, The Barcelona Review, the Harrow, Absinthe Literary Review, The Rose and Thorn, Smokelong Quarterly, Penthouse, Outsider Ink, Literary Mama, Edifice Wrecked, Mad Hatter's Review, Chick Flicks elsewhere. She's always writing, even when she isn't. www.tomishaw.com